![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4jjKuYAZkbNySYv_rF5dSSkXzQaIkXp0QHY2fthIYjunEXOBkXs08oyeyXmURSCaZzkrWdT4ogHOkLd15Bkmusne7LcuAqTlb-144yWV8V_rQdHcy8R8MpHARe1EU4AMHiGyj/s400/IMG_5855w.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmFFd8JlobqMFMDylbL33yOy_LfDHeyTT70poMDkmAzqZR_RSRQbX_fzdiu3WXdny0XZAwKgWj3nxwTFcuI678jXNfLr8gz_dHkWYcmJ55qvSox6AfohWql3uC3wI8MHmb9oz5/s400/IMG_6506w.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik0ANGuvh_Vp7KFS2qeG0ILjL82hkmnaxPuBPTwdHkVzIBWQ1Oxp-alEdcsvaayr0z1-aE4dqooVMXn6HipIeB1N52r_PFNFaer0lSaTmdx5V6KU3scVVsDnmZFW-OU3f3Zlqn/s400/IMG_6650w.jpg)
I am fascinated how the convergence of accidental drips, scrawls, smears, materials, etc., can form compelling compositions when isolated and framed by my eye and camera. Usually, the subject matter is simply a wall or the pavement, where layers of "information" have been applied over time. I like that it's entirely accidental and unintentionally collaborative. Who knows how many people were involved and over what length of time. I like my role in finding and recognizing these instances and establishing them as art. I am certain that virtually everyone passes them by without giving them a second thought.
I composed and recorded these three on a recent trip to London. More conventional photos of my trip appear in my photo gallery (see link on the left side of this blog)
Labels: abstraction, art, photography